Who Still Makes Traditional Games in the Internet Age?

My Thoughts on Who Still Makes Traditional Games in the Internet Age?

This web novel certainly sparked some strong reactions, and after diving in, I can see why. "Who Still Makes Traditional Games in the Internet Age?" promises a blend of fantasy, sci-fi, and shounen elements with a focus on business management and game development in a transmigrated setting. The premise alone is enough to pique my interest, but the execution seems to be where opinions diverge quite sharply.

First Impressions

Initially, the idea of a protagonist shaking up the gaming world with traditional games in a hyper-modern, internet-driven era felt fresh. I was ready to see some creative game designs and strategic business maneuvers. However, some of the early chapters left me feeling a little disoriented.

What Works Well

I appreciate the author's attempt to steer clear of simply replicating existing popular games. The story seems to be trying to build its own unique gaming landscape, which is a definite plus in a genre often saturated with familiar titles. The system element, while present, appears to be subtle, primarily serving as a catalyst for technological advancements rather than an overpowering cheat. This approach allows the protagonist's ingenuity and business acumen to take center stage, which I find more engaging than relying solely on system buffs.

Areas of Concern

One of the most significant points of contention appears to be the portrayal of certain characters and the narrative choices surrounding them. The depiction of a particular "feminist/LGBT/diversity organization" as an antagonist seems to be a sticking point for some readers. While the story acknowledges the extremism of the group's actions, its prominence and the perceived power it wields in the narrative feel somewhat exaggerated and, frankly, a bit odd.

Another concern revolves around character depth and development. Some readers felt that the female characters, in particular, lacked nuance and were potentially over-sexualized, overshadowing the core game development aspects of the story. This imbalance could detract from the overall narrative and make it difficult to fully invest in the characters and their motivations.

Final Verdict

"Who Still Makes Traditional Games in the Internet Age?" has potential, especially for readers who enjoy game development stories with a touch of system elements. However, the execution seems to stumble in certain areas, particularly in character portrayal and narrative choices. The unevenness prevents me from giving it a wholehearted recommendation. It might be worth checking out if you're willing to overlook these flaws for the sake of the unique game development premise, but be prepared for some potentially problematic elements along the way.